No. 56

Eric Romero

Twine that Binds, 2026, oil on canvas, 15 x 30 in.

 

Eric Romero’s art explores the relationship between myth, philosophy, and culture. Born and reared under the New Mexican sun, Romero draws inspiration from the Land of Enchantment. His allegorical figurative paintings echo the Old Masters in technique and methodology. Catholicism, mythology, and the New Mexican social landscape have influenced his paintings to tell a rich story of history, culture, and mysticism. Working in the medium of oil, he tirelessly and painstakingly pays close attention to detail within the paintings and often paints hidden symbology within the composition. A self-taught artist, his paintings have a feeling of mannerism, combining bold color with metaphorical imagery.

ericromeroart.com

Romero writes: “This painting speaks to the memory of work. The kind of work that lives in the hands and back long after the day is done. In many communities tied to the land, labor was never romantic. It was survival. It was discipline. It meant waking early, doing the job right, and returning to it again the next day.

“The horse skull sits like a witness to that history. Horses carried generations through long days of labor, through faith, and through the responsibility of tending land that did not always give back easily. Around it rest the tools of work, gloves worn from use, twine coiled like the repetition of daily labor. Nothing is decorative. Everything is purpose.

“The painting reflects an inheritance shaped by work. Not wealth or property, but the values passed down through labor: discipline, responsibility, and faith. In this way, work becomes more than survival. It becomes memory, devotion, and a quiet affirmation of heritage.”

$5,000

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